11/28/18 11/28/18

Zorawar Sidhu on František Kupka

Within a year of exhibiting it, he would never paint like this again

10/23/18 10/23/18

Eric Fischl on Max Beckmann’s Departure

The woman and man are eternally bound in a psychopathologically perverse interpretation of yin and yang.

10/6/18 10/6/18

Dear Weather: Buzz Spector on Hobbema, Gainsbourough, & Vermeer

Little popcorn puffs or higher, more distant, cirrus... a shorthand for how the duration of a painting allows for some time.

9/25/18 9/25/18

Rachel Youens on Horace Pippin

I was struck by Pippin’s preference for angular, even knife-like, shapes and harsh environmental contrasts

9/12/18 9/12/18

Aaron Zulpo on Anthony Cudahy

One man is found pulling leaves from a stem, as if counting down time. Another man stares longingly at a pile of petals.

9/4/18 9/4/18

Brian Alfred on Jo Baer

Its minimal linear elements raced around the side of the canvas and played with my expectations of where paint would normally be.

8/24/18 8/24/18

Michael Torlen on John Torreano

“Less is less, and more is more. No more, no less.”

8/14/18 8/14/18

Raoul Middleman on Paul Cezanne

There is almost a metaphysical postponement of finish throughout these portraits, a hesitation as if waiting for an informant of the future to complete them.

8/4/18 8/4/18

John Michael Byrd on Kelli Scott Kelley

To my eyes, this is a love letter to the maternal archetype—the maternal ideal.

7/27/18 7/27/18

Carol Diamond on Al Held

Each hue resonates as cool or warm, deep or shallow, allowing the eye and the sensibility to soak in energy, light and form as pure color sensation.

7/19/18 7/19/18

Yvette Gellis on Katharina Grosse

Then there is the color itself - the purity of color and the psychological effects that pure color can have not only on the eye, but also on one’s emotional states and well-being.

7/12/18 7/12/18

David Humphrey on William John Whittemore

I like thinking, though, that the painting makes a complete body out of dispersed heterogeneous parts, a complicated body constrained and subdivided by guardrails, pedestals, canvas edges, bowler hats and neckties.

7/5/18 7/5/18

Johanna Robinson on Maria Lassnig

... she only painted the parts of her body that she could physically feel in the moment...

6/26/18 6/26/18

Suzanne Stryk on Maria Sibylla Merian

Most alluring to me is her enviable touch—the delicately notched antennae, chomped and curled leaves, or gooey-pale larvae casting shadows as they inch along.