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Dennis Kardon on Edouard Manet
Modern 3/24/14 Modern 3/24/14

Dennis Kardon on Edouard Manet

Pasty male flesh, muscled hairy chests, leather, fur, rope-bound hands, a bloody cloth and a whip: this painting is intriguing to contemplate in reproduction...

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Julian Kreimer on Rufino Tamayo
Contemporary, Modern 3/20/14 Contemporary, Modern 3/20/14

Julian Kreimer on Rufino Tamayo

It doesn’t ask for our attention, rather its very self-sufficiency inspires fascination in us.

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Sarah Walker on Shiva Vishvarupa
18th-19th C- 3/13/14 18th-19th C- 3/13/14

Sarah Walker on Shiva Vishvarupa

Before I can grasp it with my mind, this painting has already saturated and immobilized me. What am I looking at? Not so much a painting as a force.

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Frances Barth on Piero della Francesca
Renaissance 3/6/14 Renaissance 3/6/14

Frances Barth on Piero della Francesca

The amazing spatial adjustments of the trees on the left had for me an energy and restraint at the same time that seemed almost to be a choreographed ballet.

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Elisabeth Condon on Henri Matisse
Modern 2/27/14 Modern 2/27/14

Elisabeth Condon on Henri Matisse

Matisse was a traveler, more than we’d think, given the large internal scale of his forms and pared-down, architectonic compositions that establish a sense of timelessness in his best works.

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David Humphrey on James Ensor
18th-19th C- 2/24/14 18th-19th C- 2/24/14

David Humphrey on James Ensor

The painting is a force-field of conflicting languages and subjects - civility and barbarous imagination, the desire to communicate and a possibility that no connection is possible.

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Zachary Keeting on Cham Hendon
Contemporary 2/20/14 Contemporary 2/20/14

Zachary Keeting on Cham Hendon

It’s a gorgeous uneven embrace.  Wander those borderlines and check out all the moments of cross-contamination, of porous influence, of impingement.

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Anne Harris on Dieric Bouts: Feeling Painting and Painting Feeling
Renaissance, Modern 2/17/14 Renaissance, Modern 2/17/14

Anne Harris on Dieric Bouts: Feeling Painting and Painting Feeling

This is my go to painting. When I’m downtown with any time to spare, I’m here. If I’m in the museum for any reason, I touch base here.

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Tom Burckhardt on Allan McCollum
Contemporary 2/13/14 Contemporary 2/13/14

Tom Burckhardt on Allan McCollum

They crack me up as a group; one guy in a monkey-suit tuxedo, not so funny, but a room full, hilarious!

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Jenny Lynn McNutt on The Duende of El Greco's Laocoon
Renaissance 2/10/14 Renaissance 2/10/14

Jenny Lynn McNutt on The Duende of El Greco's Laocoon

Stretch, a moment, a hide taut between threads and wind the threads around a wooden frame. Stitch this skin, recently nestled over sinew and muscle and organ and bone...

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Hilary Harkness on Henri Matisse
Modern 2/3/14 Modern 2/3/14

Hilary Harkness on Henri Matisse

There was something about the insouciant freedom expressed by Matisse that spurred me to think more.

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Kyle Staver on Pierre-Auguste Renoir
18th-19th C- 1/27/14 18th-19th C- 1/27/14

Kyle Staver on Pierre-Auguste Renoir

"I paint them until I want to Pinch their bottom." - Pierre-Auguste Renoir

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Julie Heffernan on Pierre Bonnard
18th-19th C- 1/4/14 18th-19th C- 1/4/14

Julie Heffernan on Pierre Bonnard

I first saw Bonnard’s Large Yellow Nude at MOMA in 1998, and was immediately struck by what an exceedingly weird painting it is.

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