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Elisabeth Condon on Henri Matisse
Matisse was a traveler, more than we’d think, given the large internal scale of his forms and pared-down, architectonic compositions that establish a sense of timelessness in his best works.

David Humphrey on James Ensor
The painting is a force-field of conflicting languages and subjects - civility and barbarous imagination, the desire to communicate and a possibility that no connection is possible.

Zachary Keeting on Cham Hendon
It’s a gorgeous uneven embrace. Wander those borderlines and check out all the moments of cross-contamination, of porous influence, of impingement.

Anne Harris on Dieric Bouts: Feeling Painting and Painting Feeling
This is my go to painting. When I’m downtown with any time to spare, I’m here. If I’m in the museum for any reason, I touch base here.

Tom Burckhardt on Allan McCollum
They crack me up as a group; one guy in a monkey-suit tuxedo, not so funny, but a room full, hilarious!

Jenny Lynn McNutt on The Duende of El Greco's Laocoon
Stretch, a moment, a hide taut between threads and wind the threads around a wooden frame. Stitch this skin, recently nestled over sinew and muscle and organ and bone...

Hilary Harkness on Henri Matisse
There was something about the insouciant freedom expressed by Matisse that spurred me to think more.

Kyle Staver on Pierre-Auguste Renoir
"I paint them until I want to Pinch their bottom." - Pierre-Auguste Renoir

Julie Heffernan on Pierre Bonnard
I first saw Bonnard’s Large Yellow Nude at MOMA in 1998, and was immediately struck by what an exceedingly weird painting it is.