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Elisabeth Condon on Henri Matisse
Modern 2/27/14 Modern 2/27/14

Elisabeth Condon on Henri Matisse

Matisse was a traveler, more than we’d think, given the large internal scale of his forms and pared-down, architectonic compositions that establish a sense of timelessness in his best works.

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David Humphrey on James Ensor
18th-19th C- 2/24/14 18th-19th C- 2/24/14

David Humphrey on James Ensor

The painting is a force-field of conflicting languages and subjects - civility and barbarous imagination, the desire to communicate and a possibility that no connection is possible.

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Zachary Keeting on Cham Hendon
Contemporary 2/20/14 Contemporary 2/20/14

Zachary Keeting on Cham Hendon

It’s a gorgeous uneven embrace.  Wander those borderlines and check out all the moments of cross-contamination, of porous influence, of impingement.

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Anne Harris on Dieric Bouts: Feeling Painting and Painting Feeling
Renaissance, Modern 2/17/14 Renaissance, Modern 2/17/14

Anne Harris on Dieric Bouts: Feeling Painting and Painting Feeling

This is my go to painting. When I’m downtown with any time to spare, I’m here. If I’m in the museum for any reason, I touch base here.

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Tom Burckhardt on Allan McCollum
Contemporary 2/13/14 Contemporary 2/13/14

Tom Burckhardt on Allan McCollum

They crack me up as a group; one guy in a monkey-suit tuxedo, not so funny, but a room full, hilarious!

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Jenny Lynn McNutt on The Duende of El Greco's Laocoon
Renaissance 2/10/14 Renaissance 2/10/14

Jenny Lynn McNutt on The Duende of El Greco's Laocoon

Stretch, a moment, a hide taut between threads and wind the threads around a wooden frame. Stitch this skin, recently nestled over sinew and muscle and organ and bone...

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Hilary Harkness on Henri Matisse
Modern 2/3/14 Modern 2/3/14

Hilary Harkness on Henri Matisse

There was something about the insouciant freedom expressed by Matisse that spurred me to think more.

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Kyle Staver on Pierre-Auguste Renoir
18th-19th C- 1/27/14 18th-19th C- 1/27/14

Kyle Staver on Pierre-Auguste Renoir

"I paint them until I want to Pinch their bottom." - Pierre-Auguste Renoir

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Julie Heffernan on Pierre Bonnard
18th-19th C- 1/4/14 18th-19th C- 1/4/14

Julie Heffernan on Pierre Bonnard

I first saw Bonnard’s Large Yellow Nude at MOMA in 1998, and was immediately struck by what an exceedingly weird painting it is.

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