SEARCH THE ARCHIVE
KEYWORD
CATEGORY
Raoul Middleman on the Master of the Osservanza Triptych of St. Anthony
Their separate egos are hereby erased when the two saints conjoin in an embrace, which echoes the cave behind them, a cosmic hug of sorts, clinching the final humanistic coda of this panel.
Sarah Slappey on James Ensor
It is the kind of laughter born of cruelty instead of fantasy. How can such an emotional difference between paintings depicting imagery that is remarkably similar be accounted for?