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What's in a Name: Raoul Middleman on John Singleton Copley
How else to paint but to concentrate mercilessly on the singularity of high end realistic focus and finish... rendered to an almighty faultless Metaphysical T.
Philip Pearlstein on Piero della Francesca
Yet it seemed to me to provide a kind of grammar of pictorial invention, parallel to the grammatical constructions of language that adventurous poets play with...