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Lydia Pettit on Henry Taylor's "I became . . ."
Overall there was chaos in his figure, strokes sometimes lining up with the form, and sometimes going against the logic of the body.
Azita Moradkhani on Louise Bourgeois
The tension between the bodies of mother and child builds up until the moment of physical separation with the delivery of a new entity in the world. Bourgeois depicts that moment using transparent skins of juicy crimson.
Julie Heffernan on El Greco
El Greco emphasizes this theme of separation—head from body, conceptual realm from sensorial realm, upper half from lower half, white from black.
Aaron Zulpo on Anthony Cudahy
One man is found pulling leaves from a stem, as if counting down time. Another man stares longingly at a pile of petals.
Carol Diamond on Al Held
Each hue resonates as cool or warm, deep or shallow, allowing the eye and the sensibility to soak in energy, light and form as pure color sensation.
Judith Bernstein on Edvard Munch
He created a vertigo inducing composition, extraordinary in its manifestation of Existentialism.
Virginia Wagner on Doron Langberg
We know that, under those rough, hasty marks, the scene exists in all of the intricacies of life.