0
Skip to Content
PAINTERS ON PAINTINGS
ARCHIVE
ABOUT
EDITORS
CONTACT
PAINTERS ON PAINTINGS
ARCHIVE
ABOUT
EDITORS
CONTACT
ARCHIVE
ABOUT
EDITORS
CONTACT

SEARCH THE ARCHIVE

KEYWORD

CATEGORY

  • 18th-19th C-
  • Alone Together
  • Ancient
  • Baroque
  • Contemporary
  • Medieval
  • Modern
  • Renaissance

Ali Miller on Dante Gabriel Rossetti
18th-19th C- 12/12/19 18th-19th C- 12/12/19

Ali Miller on Dante Gabriel Rossetti

Alexa Wilding fluctuates between a confident and seductive nymph, a stiff and unamused model, and a vulnerable damsel awaiting a rescue.

Read More

Mariel Herring on Chuta Kimura
Contemporary 12/5/19 Contemporary 12/5/19

Mariel Herring on Chuta Kimura

Imagine if de Kooning and Matisse painted a landscape together, and maybe Bonnard was their professor/mentor? That’s ya boi Kimura.

Read More

Lydia Pettit on Henry Taylor's "I became . . ."
Contemporary 11/23/19 Contemporary 11/23/19

Lydia Pettit on Henry Taylor's "I became . . ."

Overall there was chaos in his figure, strokes sometimes lining up with the form, and sometimes going against the logic of the body. 

Read More

Barry Nemett on Robert Rauschenberg
Contemporary 10/13/19 Contemporary 10/13/19

Barry Nemett on Robert Rauschenberg

All looked pleasant enough near the foot but, like a dramatic plot twist, everything closer to the bed’s head looked war-torn, tortured.

Read More

Jessica Stoller on the Sévres Breast Bowl
18th-19th C- 7/14/19 18th-19th C- 7/14/19

Jessica Stoller on the Sévres Breast Bowl

The dairy she created allowed her to demonstrate her political agency while intertwining ideas related to femininity, nature and health.

Read More

Brenda Goodman on Her Work in Stages
Contemporary 1/23/19 Contemporary 1/23/19

Brenda Goodman on Her Work in Stages

There is something about feeling that rightness of a painting when I’m 75 that feels so very satisfying.

Read More

Constance Mallinson on Manet's and von Werefkin's Ragpickers
18th-19th C-, Modern 12/29/18 18th-19th C-, Modern 12/29/18

Constance Mallinson on Manet's and von Werefkin's Ragpickers

Few previous painters were capable of challenging and disturbing the consumerist mentality and self-satisfaction of the middle class and the economic and social systems that sustained them.

Read More

Aaron Zulpo on Anthony Cudahy
Contemporary 9/12/18 Contemporary 9/12/18

Aaron Zulpo on Anthony Cudahy

One man is found pulling leaves from a stem, as if counting down time. Another man stares longingly at a pile of petals.

Read More

Michael Torlen on John Torreano
Contemporary 8/24/18 Contemporary 8/24/18

Michael Torlen on John Torreano

“Less is less, and more is more. No more, no less.”

Read More

Yvette Gellis on Katharina Grosse
Contemporary 7/19/18 Contemporary 7/19/18

Yvette Gellis on Katharina Grosse

Then there is the color itself - the purity of color and the psychological effects that pure color can have not only on the eye, but also on one’s emotional states and well-being.

Read More

David Humphrey on William John Whittemore
Contemporary, Modern 7/12/18 Contemporary, Modern 7/12/18

David Humphrey on William John Whittemore

I like thinking, though, that the painting makes a complete body out of dispersed heterogeneous parts, a complicated body constrained and subdivided by guardrails, pedestals, canvas edges, bowler hats and neckties.

Read More

Brandi Twilley on Lynette Yiadom-Boakye
Contemporary 6/12/18 Contemporary 6/12/18

Brandi Twilley on Lynette Yiadom-Boakye

... Even as invented portraits, they have that quality that “someone is home.”

Read More

Altoon Sultan on Piero di Cosimo
Renaissance 4/6/18 Renaissance 4/6/18

Altoon Sultan on Piero di Cosimo

There I was, standing in front of this beautiful, tender, poignant painting, unable to stop weeping.

Read More

Gary Stephan on Paul Cezanne
Modern 10/31/17 Modern 10/31/17

Gary Stephan on Paul Cezanne

Picasso said of Cezanne: "He is the father of us all.” In this essay I want to take the "us" expansively.

Read More

Katharine Kuharic on the Pantheon - Part II Richard Dadd
Contemporary 10/17/17 Contemporary 10/17/17

Katharine Kuharic on the Pantheon - Part II Richard Dadd

The blade may be in front of the self-portrait of the axe man... but it serves to slice the man into numerous pieces.

Read More

Katharine Kuharic on the Pantheon - Part I Ivan Albright
Contemporary 10/9/17 Contemporary 10/9/17

Katharine Kuharic on the Pantheon - Part I Ivan Albright

In his mature works the portraits are literally portraits of the walking dead.

Read More

© Painters on Paintings, 2024

Subscribe

Thank you!